Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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RUISDAEL, Jacob Isaackszon van
Landscape with a House in the Grove at

ID: 08992

RUISDAEL, Jacob Isaackszon van Landscape with a House in the Grove at
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RUISDAEL, Jacob Isaackszon van Landscape with a House in the Grove at


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RUISDAEL, Jacob Isaackszon van

Dutch Baroque Era Painter, ca.1628-1682  Related Paintings of RUISDAEL, Jacob Isaackszon van :. | Waterfall in a Mountainous Northern Landscape af | View of Amsterdam (detail) h | Landscape with a House in the Grove at | The Hunt g | The Shore at Egmond-an-Zee d |
Related Artists:
Emma Minnie Boyd
Australian Painter, 1858-1936
HOLBEIN, Hans the Elder
(b. 1460/65, Augsburg, d. 1524, Isenheim was a German painter. He was born in Augsburg, Bavaria and died in Isenheim, Alsace. He and his brother Sigismund Holbein painted religious works in the late Gothic style. Hans the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style. He was also a woodcut artist and an illustrator of books, and was a church window designer.
Stettheimer Florine
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside






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